Bop Music in the 1950s Essay -- Music

The Bop BeatThe trip the light fantastic revolution coincided with the birth of the Beat Generation. In a slightly sick(p) relationship, Beat writers often molded their poetics and style after the playing of such current of air music. Jazz writers, such as Jack Kerouac and Allen Ginsberg, upheld their poetic ideals to the techniques of jazz musicians, such as rhythm, improvisation, and call and response. The structure of creative writing underwent a change, as the importance of form equaled that of theme.Swing, the predecessor of bop, was big, sweet, and hot. The performers were big bands, fronted by a charismatic bandleader, yet the success of a piece depended mostly on the unity of the ensemble as a whole, rather than on the showcasing of special individuals. The requisite instrument was the saxophone, which was often smooth and mellifluous. Songs were old favorites, or undecomposable jazz standards, that had been arranged to suit a large ensemble. Swing bands play in large v enues, such as ballrooms, and to large audiences, who seized the opportunity to non just tap their toes, but to jump, jive, and wail. The swing era became the most pop form of jazz, as it catered to audiences as a form of social and interactional entertainment.So, bop can be seen as a reaction to the eventual(prenominal) sterilization and ubiquity of swing music. The first bop records were made by in 1944 by Coleman Hawkins experimenting with his swing band. Several individuals were instrumental in the filename extension of this new form, such as Charlie Bird Parker (alto sax), Dizzy Gillespie (trumpet), Thelonious Monk (piano), develop Powell (piano), Miles Davis (trumpet), and Charles Mingus (bass). The standard ensemble became a quintet, consisting of piano, bass, drums, reed instrument... ...ndiana University Press, 1991.Ginsberg, Allen. Howl and other poems. San Francisco metropolis Lights Books, 1997._____________. Composed on the Tongue. Bolinas, Cal Grey Fox Press, 198 0.Jones, Morley. Jazz. red-hot York Simon and Schuster, 1980.Kerouac, Jack. Book of Blues. refreshful York Penguin Books, 1995.___________. On the Road. New York Penguin Books, 1975.___________. The Essentials of Spontaneous Prose. textbook on the Beat. Thomas Parkinson, ed. New York Thomas Y. Cromwell Company, 1961. 65-67.Podhoretz, Norman. The Know-Nothing Bohemians. Casebook on the Beat. Thomas Parkinson, ed. New York Thomas Y. Cromwell Company, 1961. 204.Tallman, Warren. Kerouacs Sound. Casebook on the Beat. Thomas Parkinson, ed. New York Thomas Y. Cromwell Company, 1961. 220-221.Waters, Kristen. Pandering to Publishers. Sequel. Vol. 10 (1998) 61.