What made Delaney’s play dramatic for its audience?

A Taste of h adepty was first produced at Londons Royal Court Theatre in 1958. Britain in the 1950s was ofttimes different than it is now. During the 1950s single p atomic number 18nts were a tiny minority of the population. Couples who were vitality together with issue getting married would welcome been condemned by auberge . potent homo genderuality were a criminal offence and it was gener altogethery non base hit for homosexuals to appear in public. Statistics show that in 1958 approximately 1 in 100 marriages ended in divorce comp bed to 1995 when approximately 1 in 3 marriages ended in divorce.Also in 1958 there were glowering communities in the United Kingdom in London, Bristol, Cardiff and Liverpool only they were non special K elsewhere. In the 1990s approximately 1 in 20 British citizens is of African, Asian of Caribbean origin. The short-change A Taste of erotic love explores all of the in a higher place themes which at the snip in 1958 were controversial. The mash confronts a range of social issues much(prenominal) as single m in the raw(prenominal)hood, dumb and white, gay and straight and figure. These issues are discussed in a frank firearmner and from a young-bearing(prenominal) eyeshade of mountain both of which were unusual for Britain in the 1950s.During the 1950s. The country was deeply religious preferably un desire the Britain of today. During the 1950s the theatre acquittance reference would largely take up been marque up of the upper casteifyes. A favourite show at that time was My Fair Lady which is a play slightly a young lady named Eliza Do-Little who is taught how to become a proper Lady. It would only clear been in rattling rare circumstances that the working classes would hasten attended. To resonate a play of this nature covering such unsavoury topics would give up shocked the mid substance class audition.You can read also Audience Adaptation motifAlthough they were a strugglee of the ab ove issues it was unlikely that the average theatre going audience at that time would have had any direct contact with the themes covered. To see a play that was to display such a rollercoaster of emotions would have been quite prominent in itself. A quote from Deuteronomy 5-6-21 You shall not make unconventional use of the name of the Lord your God, for the lord result not concede anyone who misuses his name Throughout the play Helen and beak often use aristocratic phrases when angry, which is some topic that the pith class audience would have found shocking. An example of this is where shot says GodWeve got a founder member of the Lords Day Observance caller here. Another example is where Helen is speaking to Jo and Helen shouts For Gods sake shut up comp permition your mouth for five minutes. The devil is also referred to which is another element that would have st subterfugeled the audience, not only is the devil mentioned exactly he is mentioned in front of clawre n. The play is written in a way precise similar to that of a soap opera. It has a timeless quality and it would not be out of place if a scene appeared in a soap opera such as coronation Street today. Coronation Street first appeared in the early 1960s.The play was written to show the lives of the working class. It was written in a very honest way without the use of rose coloured spectacles. Originally the play was going to be a novel solely after seeing a Terence Rattigan play Delaney became disillusioned as Rattigan did not seem to be penning about the sort of places and people that she knew in Salford. The theatre of the 1950s, seemed to describe unspoiled ,sheltered, cultured lives in charming surroundings and not support as the majority of ordinary people knew it. This was the lifestyle that was more familiar to the mettle Classes.There is irony in the title A Taste of Honey this implies that it is a taste of some occasion honeyed or something pleasant. The only real sweet thing throughout the play is the descent between son and Jo. like Coronation Street the play is set in Salford in the brotherhood of England close to Manchester. As previously stated the play is set in a shabby, uncomfortable flat in a poor instigate of Manchester in Northern England. When Peter first visits the flat he asks What on earth made you choose such a ghastly district? Peter goes on to say Nobody could live in a place like this Jo replies Only about a thousand people. afterwards on he is desperate to leave the flat and says Those bloody bitty street kids have probably pulled the car to pieces by now. I just want to get the hell out of this morose stack of Calcutta. The above quotes give some insight into Peters status simply by the accompaniment that he owns a car as this would have been out of reach of most working class people. There is also a hint that Peter is racist with his comment about Calcutta. The middle class audience may have found this elem ent of Peter amusive as they realised that they had more in common with Peter than the other characters.Today such a reference would be totally unacceptable. At this time in Manchester, following a gra soprano recovery from the war there were macrocosmy buildings and homes that were sub standard needing urgent modernisation. Often there would be several families sharing the same latrine and bathtubing facilities. On make there would be no bathing facilities at all and a trip to the public baths would be the only place that a bath could be taken. This lack of facilities would have been unheard of amongst the upper classes. Over a period of time these buildings were upgraded or knocked down.This was referred to as slum clearance. A absolutely acceptable phrase hence further now more pleasantly referred to as urban regeneration. The focus of the play is on Helen and Jo mother and daughter, their problems and their attempts to conduct with life. The act opens with them in the pr ocess of moving into their new flat. The flat is in very poor condition cold and damp. Helen has a cold but despite this she is still able to bicker constantly with her daughter. The conversation is like verbal sparring. They bicker constantly over trivial matters such as making coffee or how often to bathe.It soon becomes clear that their relationship is one of ill concealed hostility. Jo does not call Helen mother or mum but refers to instead by her name Helen. The way in which Helen speaks to her daughter would be considered unacceptable today. You stupid slim devil and You haywire little bitch . This language would have had even greater pretend in the 1950s and was deliberately selected by the author to shock the middle class audience. Both Helen and Jo demean each other with comments such as Jo construction to Helen You dont take in forty. You look sort of surface -preserved sixty Each take note is rebuked and followed by a defensive comment.Helen is described as a raw semi- whore like and a drunk. She is barely forty and has been married and divorced, but her daughter Jo is the result of a brief fling . Peter, her latest supremacy is a middle class, wealthy alcoholic muliebrityiser. He is uncouth and racist. Peter often has a dirty tale to tell and is suggestive. He seems to have the manners that would normally be associated with the working class rather than the middle class. Jo attempts to improve their surroundings . Jo yearns for a real home and despite the severe condition of their new flat she attempts to give it a homely touch.She wants to engraft bulbs and buy a new lampshade. It is the simple things in life that assembling to Jo. Jo is the result of a brief fling that has been raised in elusive circumstances . She has not had the benefit of one loving parent let alone two. There has been no arrest figure just a constant stream of Helens male childfriends . This is illustrated when Jo says you should have asked him to stay. It wou ldnt be the first time Ive been propel out of my bed to make room for one of you is The fact that Helen is referred to as Helen by Jo reflects the lack of maternal feelings on Helens behalf.The play at this point raises awareness amongst the middle classes about the plight of the single parent and I am sure that the audience though shocked at the verity would have some sympathy for both women although in different ways. whiz parents would have been unheard of amongst the middle classes and if such a circumstance arose the female would have been forced into marriage to avoid a scandal. Jo is afraid of night inside houses which is an insight into the loneliness and fear that she feels as she is often go away alone by her mother.The home is seen as a place of sanctuary, a place of warmth, comfort and love but this is not the case for Jo. Helen is not interested . in any of this she does not wish to make a home for Jo. She is very self centred and feels a bitterness towards Jo. W hen Jo tries to ask Helen for lucubrate about her father Helen replies I didnt do it on purpose. How was I to admit youd materialize out of a little love affair that lasted five minutes? Jo accuses her mother of being indifferent and running away from her problems. Helen suffers from a lack of morals and does not think twice about release Jo unsupervised and alone.Jo displays a responsibility and maturity far beyond her years. Something that has ever escaped her selfish immature mother. Nothing must stand in the way of her having a good time. It is clear that Peter had no brain that Helen had a daughter. Jo tries to ruin Helens relationship with Peter in an attempt to mention her mother for herself. Jo is afraid of loosing her mother yet again. Jo eventually finds a male childfriend, boy He is a 23 year old black sailor. He is on leave over the Christmas period. He appears very casual but is sexually interested in Jo who is just fourteen but lies and tells boy that she is e ighteen. Helen is yet again absent.Boy spends Christmas with Jo. Out of desperation and loneliness Jo is interior with boy which in turn leads to a pregnancy. Although only fourteen she is not naive. She is fully aware that boy is only after one thing although professing to love her and is suspicious as to whether he will return. Boy leaves not knowing that Jo is pregnant. The themes that are explored here are those of underage sex which although fully aware went on the middle class audience would have been shocked to see it portrayed so vividly. Racism is also in evidence here. Simply because Jos boyfriend is black, he is not worthy of a name and is referred to as boy.This is an example of how black people were thought of as the underclass and boy is often associated with the slave trade. Miscegenation was very much frowned upon by the upper classes. Increasingly lonely Jo invites Geoffrey, a gay man who she met at a fair to stay with her. The middle class audience are now confron ted with homosexuality and although aware of its presence in their society. It would have been an activity that would have been conducted behind closed doors. They would not be use to having such a subject flaunted in public. Geoffrey flourishes in the role of care for and protecting Jo.He cleans and helps with preparations for the birth of the scotch. Geoffrey knows that because of his homosexuality this is probably the only knock he will ever have of being a father figure. Geoffrey knows also that he will never be able to have an openly gay relationship because it will be condemned by society and he will be the victim of abuse. Geoffrey and Jo get on well together in an attempt to be normal. And fit in with an illiberal society. Geoffrey asks Jo to marry him. Jo is not in control of her emotions. She hates the idea of love and gestation but at the same time is in need of psyche to love her.Jo says to Geoffrey Youve got nice hands, hard. You know I used to try and cut back my mothers hands but she always used to pull them away from me. So silly, really. She had so much love for everyone else but none for me. She refers to Geoffrey as her life-size sister, and he is very tolerant of her mood swings. Geoffrey brings Helen back to visit Jo. She is very critical and hostile towards him. Peter arrives and is also very hostile towards Geoffrey. They make jokes about his homosexuality which reflects society attitude towards homosexuality. Peter says Well, is anybody coming for a few drinks? YouStaying with the ladies, Jezebel. Peter also refers to Geoffrey as Mary. Helen refers to him as an arty little freak. In the final scene of the play Jo is in the latter stages of her pregnancy. Jo and Geoffrey are still getting along well. Jo does get upset at one point when Geoffrey buys her a baby doll to help her to learn how to look after the baby. It is a white doll not a black one. Jo threatens to kill the baby. Helen leaves Peter and returns to the flat. Peter h as been chatting up a younger woman . Helen seems willing to help Jo and Geoffrey is driven out of the flat. Helen feels that Geoffrey has taken her place.Sadly this situation changes when Jo tells Helen that the father is black. It is at this point in the play that the father of Jos baby is referred to as Jimmie rather than boy. Helen leaves the flat to go for a drink but the implication is that she may have left for good. Jo is left on her own, smile but unaware that Geoffrey will not return. The characters in the play are depicted as honest and realistic and full of substance the play gave an accurate account of working class lives . Delaney wanted her characters to be resilient, not depressed by the harshness of their environment.They have to take everyday knocks in their stride . It would have been unusual in the 1950s for a black man and a homosexual man to be presented as natural characters and not placed in the play as freaks or to provide buffoonery. The comedy in this pla y comes from the characters themselves and the situations in which they find themselves. The play ends sadly for Jo who will once again be alone. She will however, have a child and something of her own to love. There is however, a positive note a new beginning, a new life . It creates a positive feeling for life. At last Boy has a name Jimmie.The play helps the audience put one over that no matter what colour, or class, or sexuality we are all equal. The fact that the play ends with a song is uplifting. Throughout the play it was boy who made up these little songs and who sang them to her. The fact that she is singing a song as she is alone brings back memories of a time when she was happy. When life for her was sweet. It was a time when she had A Taste of Honey The themes explored in depth above of the class system, dysfunctional families, (a single mother with a child of dual heritage living with a homosexual male who is not think to her. Racism, homophobia, alcoholism, prostitu tion, dialogue, offensive language all contribute to the fact that Delaneys play was outstanding for its audience. The dialogue is witty sharp and unsentimental. The issues covered in the play are still fresh and anyone one of them could be headline news tomorrow. It portrays interlacing relationships which are constantly at the forefront in todays society. Some critics actually saw Delaneys work as a protest against working class poverty and the hopelessness of a flawed social system.The play demanded assist and as a result the public began to change their attitude towards art and society. I think that the ending of the play is one of the most dramatic moments throughout. Jo is left on her own, waiting to give birth to a black child, which as discussed before was frowned upon in that time. This would be said to be a Hollywood ending as many of us believe that Hollywood endings are make believe, they are this to impress the audience as situations in this matter would not have hap pened, which leads us to think is it real?This then relates to a book The Catcher in The Rye because the book is about phoneys, although how it is all real and makes us think of the situation. This in relation to a Taste Of honey is quite similar, because although the ending is dramatic, situations like this happened in the 1950s and the fact Jo was abandoned because of her black child was not frowned upon, because it seemed like the right thing to do.